He has been nominated for eight Grammy Awards and won a Billboard Music Award and a Latin Grammy Award. In late 2019, Scott’s record label Cactus Jack Records released the compilation album JackBoys which became the first number one album on the Billboard 200 of the 2020s.Īfter the release of his single “Franchise” (featuring Young Thug and M.I.A.) in September 2020, Scott became the first artist on the Hot 100 to have three songs debut at number one in less than a year. The following year, Scott released a collaborative album with Quavo titled Huncho Jack, Jack Huncho under the group name Huncho Jack. His second album, Birds in the Trap Sing McKnight (2016) became his first number one album on the Billboard 200. In 2018, his third studio album Astroworld was released to critical acclaim and produced his first Billboard Hot 100 number one single, “Sicko Mode” (featuring Drake). His debut studio album, Rodeo (2015), was led by the hit single Antidote. Travis Scott Birds in the Trap Sing McKnight iTunes. His second album, Birds in the Trap Sing McKnight (2016) became his first number one album on the Billboard 200. Travis Scott Jackboys iTunes Plus M4A Travis Scott Huncho Jack, Jack Huncho iTunes Plus M4A. His debut studio album, Rodeo (2015), was led by the hit single “Antidote”. It was followed with a second mixtape, Days Before Rodeo, in August 2014. Scott’s first full-length project, the mixtape Owl Pharaoh, was self-released in 2013. In April 2013, Scott signed a recording contract with T.I.’s Grand Hustle imprint. In November of the same year, Scott signed a publishing deal with Kanye West’s GOOD Music, as part of its production wing Very GOOD Beats. They all pass in a slow-motion blur.In 2012, Scott signed his first major-label contract with Epic Records. Among the others on the guest carousel are Kendrick Lamar, Kid Cudi, 21 Savage, and Cassie. This time, Scott co-produced only one track, another Weeknd collaboration, and it easily slips into the album's scheme with its serpentine menace and lightweight lyricism. Only on "Guidance," through scuttling drums granted by DF, is there a significant shake-up. Swarming basslines and sluggish beats likewise form the rhythmic foundation, with gauzy and tickling keyboards adding sweetness to Scott's hedonistic hooks. of Scott, who remains deeply into heavy accessorization and proclamations of dominance, as well as punctuations with affirmative exclamations cast in dehumanizing pitch alteration. The album's deepest verse by a great measure, it has no discernible connection to Scott's surrounding rhymes of cocksure nonsense. Among the present is André 3000, who drops by on "The Ends" to recollect the infamous rash of murders that struck his city during his early childhood. Released almost exactly a year after Rodeo, Birds in the Trap features little development, though the large company Scott keeps is quite different, and Metro Boomin is noticeably absent. It's easily the track with the most pop appeal on Scott's second full-length. "Pick Up the Phone" functioned as the lead single off Thug's JEFFERY, and it sensibly reappears here, buried in the latter half, de-emphasized yet not quite a tacked-on bonus. Titled after one of Quavo's lines from the chirpy summertime 2016 hit co-billed to Travis Scott and Young Thug, this fitfully hypnotizing follow-up arrived after numerous delays, toward the end of the year's third quarter.
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